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Instead of eating, the lads munch each other’s luscious dicks before Gray creates an excellent dessert out of Adam’s ass. Adam seizes the opportunity, then leaps into Easton’s arms, starting a fuckfest that has been months in the making! Easton allows the youngster in, realizing this is a rare, sensual chance. Then, as if by divine coincidence, Easton’s fascination shows up at his house to bring lunch one day. For a month, Easton has been unable to stop Reid from racing through his thoughts. Then one day, Gray arrives to get his daily coffee, but Adam is no longer a lovely barista. The lovely couple has been flirting for a long time, but they have yet to make a commitment. The Fantasia International Film Festival is heading back to theaters this year, celebrating its 26th edition with a dynamic in-person program of screenings, workshops, and launch events running from July 14 through August 3, 2022.Easton Gray, a novice, drops by a coffee shop every morning, only to be greeted by the attractive Adam Reid.
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While the festival’s full lineup will be announced in late June, Bloody Disgusting has the first wave of titles and a special Career Achievement Award for a hugely influential Hong Kong artist whose extraordinary work was foundational to the festival’s formation.
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Here’s the press release with a first look at images from several prominent genre films…įor its 26 th edition, Fantasia is proud to honour the groundbreaking Hong Kong filmmaker John Woo with a Career Achievement Award. With a singular directorial approach, Woo reinvented the conventions of action cinema, its visual language and dramatic codes. Nobody breaks down a sequence like Woo does: his staging is complex, his camera choreographies always elaborate, his mastery of physical performance and stunts unrivaled. His brilliantly original editing patterns are instantly recognizable, as are his slow-motion sequences, employed as much for pathos as to provide poignantly counter-adrenalized flourishes. Following martial arts films such as HAND OF DEATH (1976), LAST HURRAH FOR CHIVALRY (1979) and beloved comedies such as MONEY CRAZY (1977) and PLAIN JANE TO THE RESCUE (1982), Woo made his name with the groundbreaking heroic bloodshed of films such as A BETTER At the heart of everything, Woo’s films are deeply moral visions,īuilt around themes of friendship and trust with moving sincerity. In the years following this era, Woo has worked alternately in both Hollywood and China, on further blockbuster classics such as HARD TARGET (1993), FACE/OFF (1997), MISSION: Chow Yun-fat, Tony Leung Chiu-Wai and others became international stars under his watchful eye, and by crafting an action cinema – and a genre – of his own, Woo continues to astonish audiences and filmmakers alike, inspiring legions across the world. IMPOSSIBLE II (2000) and epics such as RED CLIFF I & II (2008, 2009), and THE CROSSING I & II (2014, 2015).
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He is currently hard at work on SILENT NIGHT, an upcoming return to American filmmaking, starring Joel Kinnaman and Kid Cudi. SATOSHI MIKI’S UNIQUE CREATIVITY SHOWCASED AT FANTASIA 2022 WITH THE WORLD PREMIERE OF CONVENIENCE STORY AND THE CANADIAN PREMIERE OF WHAT TO DO WITH THE DEAD KAIJU? Fantasia is proud to honor John Woo’s legacy.
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Outstanding filmmaker Satoshi Miki (ADRIFT IN TOKYO) brings us his latest otherworldly adventure. Kato (Ryo Narita, JUST REMEMBERING) is a struggling screenwriter who, one day when stepping out to buy dog food, stumbles into a mysterious convenience store where he discovers he can find anything his heart desires.